Let me find my own
terminal velocity.
View the earth's curve
with the lens
of my own eye.
Feel the awe of a whale
basking beside
me in the wet of deep water.
There are answers
we cannot speak.
Amazement cannot be
quantified
classified and labeled
in a beaker or jar.
In the end let me stand
where the great gate opens
onto eternity and find
what lies there
on my own and naked
before the one who made me.
As you see in a couple of these poems, it is often worthwhile to revisit a piece.
For me, the initial version is sometimes too wordy and less cohesive. When this happens, the meaning gets muddied and the reader may not feel the full import of what I want to say.
It's the same with my painting. I often begin with a pretty detailed sketch, but take it down to bare essentials - big shapes and colors - in order to keep the message plain and uncluttered.
At the place
where the road divides
stands a two story
red-roofed
clapboard building.
A broad awning stretches
over the patchwork
wooden porch
shading a line
of round backed
metal chairs.
From the ridge pole
at the peak
a red sign is hung
with bright yellow letters -
of late afternoon slants
sharply across open fields
bringing brilliance
and celebrity
to stalks that stand ......................broken
disregarded in the snow.